Everybody get ready for the shot.
Lights!
Junior, a little stronger.
Starting.
Running, one by one take one, clap!
Action.
This is a film related to films.
The Lumiere brothers made films a reality.
You look arrogant.
You should be gentle while talking to audience.
Ok. - Ok Sir.
This is a film related to films. Lumere brothers.. - Cut it!
Listen! Don't try to be a joker. Don't be too gentle.
You try to be specific, that's all. - Yes Sir.
This is a film related to films.
The Lumere brothers made films a reality.
Thereafter, many great film makers came..
..and gave new definition to films.
There was laughter inside the cinema theatres.
The audience could feel the emotions of the characters..
..of the silver screen like in their personal life.
The films soothed human life under trying conditions.
Madras became the centre of the south lndian films.
Thousands of people came to Madras to try their luck in films.
They were many who made it big & many who were ruined in this film city.
We know only those made it big.
And nobody knows about the one who couldn't succeed.
The hero of this story, Udhaybhanu had come to Madras 12 years ago.
He was an assistant director.
And was trying to become an independent director.
Cinema was not just his ambition, but it is his life too.
The screenplay of the first film is in progress.
'Om Satyajit Ray Namaha.'
'Om Spiel Berg-aya Namaha.'
'Priyadarshanaya Namah.'
'Kurasova, Aravinda, Chaplin-aya Namaha.'
Oh God! Give me a great climax to this story!
Anusha and Ravi met on the platform unexpectedly.
But to shoot on the railway platform..
..a deposit of Rs. 5 lakhs is required.
And if producer is not ready for that, then..
l'll make the film for the one who is ready do that.
Anyway, the dialogues of Anusha should be brilliant.
Look Ravi.. l don't want to invite you..
Ravi in my life, which is cloudy. Shit..
Stupid dialogues! Would anyone talk like this in real life?
Cloudy.. Nonsense!
The matter should be simple.
There is no need of 'Look Ravi.'
lt feels like a serial.
You've come to see the one who is running away, isn't it?
You're standing here just because you've a platform ticket & you can't go beyond.
The one who watches us will think we are very close.
But it's only we know how far we are with each other.
Good! That's good!
Let us pray so that Udhaybhanu gets a good climax.
This city is full of cinemas.
We are on our way to a film studio.
The heroine of this story, Madhumati is in the studio.
She was awarded the best actress of the university.
lt was Udhaybhanu who introduced Madhumati to his mentor.
The very first film itself was a very big hit.
And Madhumati is a big star today.
Though Madhumati is indebted to Udhaybhanu..
..and she likes him, but there is nothing like love between them.
But Udhaybhanu is restless about the unwanted gossips.
This is Rajappan Thengamulli, sorry these are his legs.
He has been looking for a good role in Malayalam cinema for a long time now.
ls it because of his looks that is not getting a good role?
Or is it because of his colour and figure?
He has done many small bit roles.
But he is still waiting for his dream role.
He has a darker complexion than me.
And he isn't so handsome, yet he is a superstar.
God!
The one's wearing suits go to Wing A. - Yes sir.
lt's a Telugu movie, a company meeting scene.
The rest are all for Shivaji's garden. A Tamil film.
You will get your dress, guns everything there. - Yes sir.
And if you have any doubts, then call me.
Ok sir. Come on people. Go on in this auto.
Sir! Do you have any role? - There are many.
What, will you come? - ls there any dialogue in the role?
No, it's a landlord's film. An lndia Pakistan war scene.
You will get the uniform, and guns there.
You will get lunch and snack in the evening too.
And 100 rupees. So will you come?
lf there isn't a dialogue.
Hey when everyone is shooting who will think about dialogues. - That's right.
Rajappan, earlier the house owner had come. - ls it?
lt was nice that you left early. He shouted a lot.
He would have beaten you if you were here.
Then. - Then nothing.
Thomas has kicked Thadimadi out of the house because he didn't pay the rent.
He deserves it.
Last week, he didn't give me a loan of Rs. 50..
You have been kicked out too! - But l was not there.
He broke your lock and he locked it with a new one.
Your suitcase and other items have been thrown out. - ls it?
l took it and kept it at my doorsteps.
You should have kept it inside your house.
l decided not to do that after thinking a lot.
You will come in along with the suitcase.
That is risk. And it's just because two scoundrels have come from native place.
And there is no breathing space.
Why don't you try Udhay's place?
No chance, he is writing the story.
And while writing story, he'll behave like a dog who gave birth to the new born.
He'll cut me into pieces.
Rajappan, then go and try at some other place.
Why don't you work as a junior artist atleast for a couple of times like me?
At least you can earn enough for your rent!
Dear Rafiq, l am not like you. l have an aim.
And l'll do anything to reach there.
Once you become a junior artist..
..you'll be a junior artist till your death, understand.
l got the climax!
Brother Bhaskaran, sister Sharada, l got the climax!
A fantastic climax!
Krishnaswamy, l got the climax!
l've got a great climax!
What's the matter?
Brother Bhaskaran. - Yes.
l got the climax! Such a climax that nobody expects!
The climax that Malayalam cinema has never seen.
l was working for the last ten days to get a good climax!
l got the climax, a real thriller!
A stunning twist! A nail biting finish!
Udhayan, what is the climax?
Ravi is coming back to the place from where he ran away, isn't it? - Yes.
As Ravi got of the train and came out of the station..
..no, no, l'll not tell the climax.
Brother Bhaskaran will lose the thrill while watching it.
l have to make some corrections in the screenplay.
l'll see you later. l will see you later. l've got the climax!
l've got the climax!
He is a bit normal today after 3-4 months.
He was screaming and shouting all these days in the room..
He used to come out..
..stare at the sky and shout something.
Then run in again. lt was as if he was going to hang himself.
ls writing a screenplay that tough a job?
l haven't tried it yet. - Then you should try it.
Will you get a chance in Udhayan's film?
No, l don't have that star value.
lf you know that why are you wandering here in Madras?
You are here for a long time now.
Why don't you go to your native place & stay with your wife and children?
You are staying here with your wife and children for a long time now...
Why don't you go for pilgrimage and give them peace of mind?
lt's because of this you are not prospering.
You've prospered too much.
You're staying in a single room with your wife and three children.
And in the same room you are cooking.
And he thinks he's Tata. Single room Tata Bhaskaran!
As l was obsessed with the screenplay..
..Rajappan, l didn't see you.
And what's this like Bangladeshi's, with a suitcase and all?
l won't tell lie. l've been kicked out of the house as l didn't pay the rent.
l am lucky that you've finished writing the story.
lt's my luck that l've finished writing the story.
Are you planning to stay with me? - No.. - Then?
Udhayan, shouldn't l find some place to keep this suitcase and the mat?
Don't play that game.
lf l help you, it's sure you'll take advantage of it.
Did you think l would forget what you did last time?
When you were thrown out of the house six months ago..
..l gave you the shelter. Then what did you do?
When you went for out door shooting..
..l allowed two guys to stay here and took rent from them.
Who gave you the right to give my room on rent?
Then should l've allowed them to stay freely?
Who asked you to make them stay here?
That's my mistake, l agree and will not repeat it! - Fine.
l'll tolerate you once more. But l want to know one thing.
When will you vacate?
Udhayan, for shifting to a new place..
..at least there should be Rs.5000 to give advance.
But it's just a matter of getting a good role in cinema.
Which cinema? And who is going to give you a good role?
l've spoken to many people to give a chance.
But that you are doing it for a long time now.
Rajappan, tell me something which is practical.
l don't think you'll ever get a good role. - Udhayan!
Then what? You must have got award for the best actor..
..in schools for doing the roles of leprosy and TB patient.
That is not enough for doing films.
Acting is what reacting it is behaving.
Do you know what Stansoloski said about acting?
Please! What has that good to do now?
Rajappan, why are you still expecting a good role then?
Mr. Udhayan!
Mr. Udhayan, Madhumati Amma is missing.
Whose mother? - Not mother, but Madhumati.
Sir, don't you know me?
l am Vijayan Varkala, production manager.
l am coming from the sets of KP Nanappan.
l've something important to tell you.
Sir, if you could come this side..
What's it? - Mr. Nanappan was shooting for a song.
The song was shot on Madhumati.
lt was a very good song.
Suddenly Madhumati said that she is leaving.
She threw the wig and left the shooting in a car.
Now the whole unit is stand still. What should we do now?
What you should do why l should tell?
l just asked you. - Then l'll tell you one thing.
lt's all her wish whether to come or go.
lf Mr. Nanappan thinks that she'll come back to the set if
..l call then he is wrong. Now Mr. Vijayan Varkala can go.
if the shoot is cancelled today, it isn't possible to release the film on Christmas.
Christmas will come next year too. - Sir, don't say like that.
The producer was not having the money at all.
And so he pawned his wife's jewellery to do the payments.
That's not a problem. That's his own wife. - Sir..
lt's men like you who gossiped in the industry that..
..there is something between Madhumati and me.
The magazines too wrote about that.
And may be to confirm that Mr. Nanappan had sent you here.
Oh no! Nanappan is a very good man.
Do you know what Mr.Nanappan has told?
That Mr. Udhayan knows the value of producer's tears.
lt's because of your recommendation Madhumati acted in her first film.
And this reason is enough for Madhumati to obey you.
Mr. Nanappan is not aware of the heroines and the gossips you're talking about.
lt's when you said now, even l came to know about it.
Where is Madhumati now? - l don't have any idea.
But the cell phone is ringing. And she'll not attend our calls.
But Sir, she'll surely attend your call.
All right, l'll see. You go and call me after sometime. - Ok.
How did you come?
l came in brother Bhaskaran's vehicle.
Whatever the reason is, leaving the set in between is not right.
You should have thought of the loss to the producer...
...and to the colleagues.
Do you think that the media will keep quiet?
Each second is very precious so don't waste the time, get back.
Just a minute, at least listen to..
Madhu, don't you know that shooting is interrupted, people are waiting for you?
Mr. Udhayan, that means you're not bothered about my feelings.
Had this director ever made a film that hasn't questioned human commonsense?
Why are you asking that now?
Mr. Udhayan, l've told you the attitude of my father and brother.
They are just blindly taking advances from wherever they could.
Like the animals which are brought on rent.
They neither want to know about the story..
..nor they want to know who the director is.
You should have told you'd act only if you like the story.
l said that hundred times. But who is listening to me?
That the director has talked to my brother about the story.
He said it was fantastic.
And such a story has never come before.
l heard the story when l went for shooting yesterday.
lt was just horrible.
l even shot for a role where people teased me.
l couldn't sleep yesterday night..
..as l couldn't take any decision.
Do you know how many times l tried Mr. Udhayan's cell?
You didn't attend the call after seeing my number.
You called yesterday?
Yes, yes, l forgot.. to take the cell when l went out.
Didn't you check the missed calls after coming back?
Perhaps l didn't notice.
You still don't know how to lie so that others can believe you.
Don't say that. Sometimes l don't attend your calls purposely.
There may be someone in the room.
Why should we give them a chance to make stories?
But if l want to ask you or tell you something..
That's not the way people look at things.
Madhu, now you are a well-known star.
lt's better for an assistant director to stay at his place.
So you've decided to stay away from me.
l didn't mean that.
Mr. Udhayan, don't you've any share in my success?
lf it is so, then why l am not able to achieve that success?
Even if l hadn't recommended you for my mentor's movie..
..you'd have been in movies because..
..you were born for that.
l loved acting, that's why l came to cinema.
And because of the same reason, l am ending it.
l already told you regarding my father and brother Dinesh.
They are bargaining with the directors..
..like one does in the street markets.
The beggars can't be choosers.
Do you want good film or more money?
There is not even a single good film this year for me.
l am fed up.
Sir, shall l attend?
What's the use of you being her manager?
When she went out of the sets, you should have stopped her!
Attend the phone and listen to the abuses of the producer.
And tell him that nobody is here.
Go out and play you stupid!
Why are you getting annoyed with the children?
Babu and Bhama came to watch the dance programme together.
Kanchana, give me some peace of mind.
l've taken the advance, so l am bound to reply.
She is coming.
Dinesh, be cool and don't be angry with her.
lt seems that she won't go for the shoot today.
You know her habit.
And may be she'll cancel the film itself.
So should l be scared of her?
Laxmi, come here.
Not everyone is lucky and blessed with God's grace.
l just want to say that we should not spoil it ourselves.
Who'll bear the loss if the shooting is cancelled?
The one who has taken the money will bear the loss.
What do you think of yourself?
Sofia Lauren or Elizabeth Taylor?
lf 60 Malayalam films are released in a year..
..out of that 55 films are flop.
And people like you are acting in it.
You are not the only one good actress around.
What if you won't get good films for the next five years?
l'll not act. - Then who'll bear your expenditure?
Look, you should not forget your status.
What relation you've got with that unsuccessful director?
We are ashamed of the gossips..
..that are published in the magazines.
You stopped the shooting and went to meet him, isn't it?
Who is he? ls he your father? - Dinesh!
Father, keep quiet. - Actually, what is the main issue?
The cancellation of the shooting..
..or that l had gone to meet Mr. Udhayan?
We want to know the decision on both the matters.
And right now. - All right, l'll tell.
l'll not act in the film directed by KP Nanappan.
And about Mr. Udhayan, that can't be said in one word.
And l'll have to describe. Not because he brought me into the films,
but because he understands..
..the feelings of human and because he is talented..
..l love and respect Mr. Udhayan.
But Mr. Udhayan had never told me that he love me.
And if he says it?
Father, did you understand? That she'll go if he agrees.
Do you know he is older than me?
And accordingly Mr. Udhayan is matured too! - l will..
No Dinesh, no. lt's my mistake.
lnstead of treating both children equally..
And for that you might have profited 100 times by now.
At least you can spare me now.
Udhayan, l heard that you got a terrific climax.
Rafiq, that's up to the audience to decide.
Then too Udhayan, you might be having some calculations.
When are you going to start the shooting?
For that one needs a producer.
Didn't you contact anyone?
Rafiq, asst. director is like a bride waiting for her marriage.
The bridegroom, that is the producer will examine.
And if they like it then only the marriage is solemnized.
Udhayan, they will like the story.
Only men like Udhayan can save Malayalam films.
Look, you've taken the name and he is here.
You know, l am the second hero of GK Nair's next film.
Two fights and one song.
lsn't there any scenes or dialogues for you?
l am talking about other than scenes and dialogues.
He is a much better actor than us.
No, when is the shooting?
That's the problem it is after two months.
Till that time? - l'll get the advance within in two weeks.
That'd be better if it is given at the earliest.
Who is the hero of your film?
Most probably it'd be Prasad Chandran.
Heroine as it is would be Madhumati, isn't it?
Udhayan, l never meant that.
Madhumati is a well-known star now.
And Udhayan, you know her very well.
There are many other well know stars..
..in Malayalam whom l know.
lf you ask anyone who is the best actress on date, then..
lf the friends circle itself gossips about me..
..then why to blame others.
Udhayan, l didn't really have any bad intentions.
You know Rafiq, after l wrote the climax..
..l wake up daily at 5 o'clock in the morning.
l go out with this camera and shoot many visuals and..
..locations to fix the angles and composition in the mind.
Udhayabhanu has just one love and that is cinema.
He has only one wife and that is cinema.
Why didn't l marry for all these years?
Because l was afraid that l'll lose my concentration.
l shouldn't have asked this question.
But l can tell one thing.
Madhumati has something for Udhayan. - What?
What are you talking? - l never told that you have.
But if l were in your place l'd have married and lived happily.
At least l'd have been a husband of a star.
Then you go and marry her. Go and marry her man!
But for that she too must agree. - l'll make her agree.
Forget it. - The way he is annoying at us, seems..
What? - Nothing.
No Rajappan, no. - You are behaving like children.
Udhayan, we too will have some roles, isn't it?
l already said that let a producer come. - Correct.
All right Udhayan, l am going to AVM.
l've a small role there, which will get me Rs. 500.
All right, see you in the evening. - Fine.
Many of them were asking. Are you listening Udhayan.
Yes, many of them were asking.
Why are you not asking what they were asking?
Many of them are asking then why should l ask?
That Udhayabhanu is your close friend.
And are you the hero of his first film?
Call the one who has told this? l'll smash his face!
l can act better than your Prasad Chandran.
l don't want the person who acts too much.
l saw your acting in the film Nattu Gawda.
This is not the way of acting by looking at the sister who was raped.
ls this the way of expressing your sorrows?
l didn't do like that? - Yes, you did.
And it's because of that the director..
..cut down your scene from the film.
What you thought? That l was not aware of these things?
Look, acting is to be done meticulously, like a heart operation.
God! He has started again. l'll act the way you say.
Now you can't say that you don't know to tell how to act.
That's not the thing.
First of all, my actor is very handsome.
Makeup is meant for that.
But for makeup too there is a limit.
Marlene Brandon, Alpachino, Robert Dinero..
..Densel Washington, Laurence Sylva..
..Jack Nicholson, Anthony Hawkins, Sanjeev Kumar..
..Ashok Kumar, Naseeruddin Shah, Paresh Rawal etc..
..go and watch the films of these stars.
And learn what acting is.
Or else go back to native place and..
..do some other job and feed your family.
lf you ask for a chance in my film, then..
They won't allow any peace of mind.
Producer Sonabalan speaking. lt was you!
l thought someone has called for their money.
Last film? lt was an utter flop. Don't you know that?
Looking at the trend of the comedy a film was made with all mimicry artist.
And it was an utter flop.
Now l show mimicry when people ask for their money.
That Sonabalan is not there or like this is not Sonabalan.
Abdulla, someone has come. May be it is Marwari Mukesh.
He said that he'd arrange for some money.
l'll call you later.
Good morning Sir.
Rajappan, didn't l tell you yesterday, that..
..l am not going to make any films as of now.
Don't come here asking for chances.
But Sir, that was yesterday. Maybe you've changed your decision today.
My God! What should l do with him?
Sir, how many times l came to you for a good role?
Rajappan, don't kill me. My mimicry film was an utter flop.
And now even if l want to make films..
..there should be some stories and screenplay.
For God sake, don't come here to meet me again.
So.. l.. come tomorrow..
Mr. Balan is not going to make any new films, isn't it?
l don't know.
Just remind him if he is making anything new.
Of course. l'll remind him all the three times.
Morning, afternoon and in the evening. Will that do?
There is a need to appoint a watchman.
Look, didn't you see stupid Rajappan coming?
Rajappan, didn't you go?
Would you like to have some tea?
Till today my name was Rajappan Thengamuda.
Now it has also known as stupid Rajappan.
Actually, l was telling him to buy some..
Sir, it's all right. But l was thinking about you.
You don't have the screenplay, isn't it? - Yes.
lf l give you a good screenplay, will you give me the lead role?
What do you mean by good screenplay?
Sir, you haven't left comedy though..
..your comedy film is an utter flop.
Sir, accept it only if you like it after reading it.
Have you written it?
l have been here for a while now.
l can write at least one.
Even the greatest writers have kept their pen down.
Thinking what to write in these conditions.
And you are going to write stories.
Raja c'mon.
Sir, at least you should read this.
C'mon, drive man. - Sir, please. Please.
Oh God! He is just troubling me.
Do one thing, bring it and give it to him. l'll read it.
Now take the vehicle, c'mon. That's fine. - Thank you Sir.
Take the copy of all the pages. - Fine.
That should be neat.
And put a cover for them but tomorrow.
But now you give me the originals properly. - Ok.
Rajappan!
Why did you run when l called you?
Who called me? And when did you call me?
Rajappan, don't try to fool me.
l called you, you saw me and ran away.
And l wanted to know why you ran?
What was the packet in your hand?
You've seen the packet, isn't it?
That means it is true that you've seen me.
The packet contained clothes for ironing.
lt was true that l ran.
l gave.. Rs. 100 to Paneer Shelvam..
..to change pipe in my old room. Since then he is missing.
Today l saw him and was running catch him.
Paneer Shelvam? Which Paneer Shelvam?
Which all Paneer Shelvam do you know?
lf you think that l ran because you saw me..
..then l should be running now too.
Yes, that is what l do not understand.
Did he steal something from here?
Listen, l forgot to tell you one thing.
l've arranged for a producer. He is a very rich man.
He is in abroad.
Though you've not offered any role to me..
..l've said lot of things to him about you.
Did you say too much? - l said lot of things about you.
But you'll have to wait for six months.
Because he'll be coming after six months. - Go man!
l am going to Ernakulam next week.
To meet Baby Kuttan and tell the story.
And will start the shooting within two months if he likes the story.
Udhayan, no.. listen to me.
The producer must have sufficient money.
Baby Kuttan is a poor chap.
Why can't you wait for six months?
Do you know what is name is? Francis.. Francis..
He is from Kozhencherry.
l am not a fool to listen to what you are boasting.
Hello, is this movie director Mr. Pratapan.
Yes Balan, what's the matter?
l've got a fantastic screenplay. l've just finished reading it.
Mr. Pratapan, this is called as trendsetter.
l am not telling anything more. l'll get you the screenplay.
No one else can direct this film than Mr. Pratapan in Malayalam cinema.
Don't make a conclusion like that.
So who has written the screenplay?
That's another surprise. l'll tell you everything personally.
First l'll get you the screenplay.
Greetings. - Greetings.
Have you read that? - Yes, l read.
Tell me truly Mr. Balan Pillai, if Rajappan, who is still..
..waiting for a chance to act has written this story?
You don't believe, isn't it? l've learnt a lesson from this.
That we should not misbehave with those..
..who come and ask for chance for acting.
Art is really surprising?
We can't say which stupid has got this talent?
But l'll tell you one thing.
People will mock if he is in the lead role.
He'll not give the screenplay if he is not in the lead role.
ls it?
We'll play rest all characters with strong actors.
Mr. Balan Pillai, the building will collapse if the foundation is not strong.
But our foundation is the screenplay.
Then Balan, you do the lead role.
Are you serious?
l'll talk to him.
l'll come to your office in the evening.
That's not possible.
Then look for some other director. - l mean..
Sir, l'll tell. l'll ask him to come to the office.
lf it is so, then l am leaving. Sir, give my screenplay back.
Rajappan, sit down. - l do have chair at home to sit.
Shall l ask you something?
Don't you wish to see your screenplay a big hit, Rajappan?
My wish is to see the film doing well by doing..
..the lead role of Ravi of my screenplay.
Ravi is a young guy and then Rajappan..
..how can you fit in to that role?
MGR at the age of 65 used wig and..
..played the role of lover. And l am not that old.
But then, why are we arguing, let me go.
Mr. Balan, give my screenplay back.
Rajappan, some of the best writers like Bhasi and..
..Bhaskaran has left us and gone.
MT and T Dhamodharan write occasionally. - So?
Rajappan, you can become..
..No. 1 story writer in Malayalam films.
And l'll direct all the screenplays written by you.
l only know how l managed this one.
Mr. Balan, give me the screenplay.
Rajappan, try to understand.
The role of Ravi is strong and needs in-depth acting.
lt is me who has created the character.
And so l know how to act too. l know acting is what reacting.
lt is behaving. You know what Sansloviski said about acting.
l too know a lot things films.
Mr. Pratapan, just a minute.
What's so secret? - Please Sir.
Give my screenplay back. - Wait a minute, Rajappan.
My dear Mr. Pratapan, we've made lot of new faces..
..super stars while they didn't knew even the ABC of acting.
Dear Balan, he doesn't have the height and body to play that particular character.
He is not handsome. You too have read the screenplay.
lf that's the case, Mr. Satyan wasn't tall.
And didn't have good complexion.
Look, don't compare great actors like Satyan with him,
or else l'll smash your face.
Don't get annoyed. We'll call Pachallan Bhasi..
..the one who teaches Kathakalli and dances.
We'll ask him to train before the shooting starts.
He is very smart. He'll teach him all the expressions.
And then? - Then we'll proceed..
How? How?
Mr. Pratapan, l am in heavy debts.
And if Rajappan acts in this film..
..all the astrologers say it will be a great hit. - ls it?
Then ask the astrologers to direct the film.
But the film will be a utter flop if Mr. Pratap..
..doesn't direct it, the astrologers said it.
Balan Pillai, if the film is to do well..
..all the aspects should be looked into.
And you all have no sense.
Please compromise for once. Truly speaking..
..l've brought cheque to pay him the advance.
Let me pay it before the time runs out. - Balan Pillai..
Udhayan, you were in Kerala, isn't it?
l went to meet producer Baby Kuttan.
He liked my screenplay very much.
But Prasad Chandran is very busy.
Baby Kuttan is ready to start the film anytime.
ls that busy Prasad Chandran.
He is busy with couple of films. l'll have to press him again.
Do you know something? Do you know who is the hero..
..of director Mr. Pratapan's new film? Our Rajappan!
Rajappan? - Yes.
Rajappan in Mr. Pratapan's film? - Yes.
How did that happen?
Normally, Mr. Pratapan doesn't make such mistakes.
You are right. l didn't believe it.
But that is true. Rajappan got the advance.
He has taken a room on rent nearby.
And Pachallan Bhasi is training him.
Oh God! What am l hearing?
Anyway poor fellow, let him survive. All right then. - Fine.
lf you've come to see Rajappan he is busy doing Shirsh-asan.
l am Rajappan's friend Udhayabhanu.
l am Pachallan Bhasi and l am training Rajappan.
l'll wait till he finishes the Shirsa-asan.
No, no, after Shirsh-asan, he'll be doing Padma-asan.
After that Kukud-asan. Then Sarvanga-asan.
Then Mayur-asan and in the end Shava-asan.
Then he'll begin his actual training.
And it's a very tough training. l'll tell you in details.
This is Shringaram.
This is Karunam.
Veeram.
Roudram.
Hasyam.
Bhayanakam.
Bhirvasam
Albutam and Shantam.
And there are other four, which l've invented.
There is a lot to be taught and time is very short.
So now, no friend or enemy is allowed to disturb him.
You may go now.
What's this? You are doing Shava-asan directly from Shirsh-asan.
l'll do the rest of the Asans afterwards.
Who knocked the door? - He said some name.
And said he is your friend. Something like Udhayan.. Bhanu..
l said you are doing Asans and closed the doors.
Then don't waste time lets start the training.
Do you know how Rasan comes?
lt doesn't come, but we have to make it.
All right, then how to make it?
l don' know exactly, but still l can tell you.
First we should boil the lentils. A tomato can be used.
Then black pepper and asafoetida is to be added.
Then oil is to be heated and green leaves and onions..
..are to be fried in it along with garlic.
There is no need to take that much trouble.
You'll get the powder for making Rasam in the shop!
Yes, we can get it.
Mister, l am talking about Navrasam!
He is simply stupid!
This is Srirangam.
Do it.
This is not the way l've shown.
You are doing the act of the cow releasing the cow-dung.
Do it the way l did.
Why are you shaking your body while doing Sringaram?
What is written in Natya Shastra? - That.. that..
What Bharatmuni said in Natya Shastra?
What you know about Bharatmuni and Natya Shastra?
This is Kabayil. Virugal.
You should concentrate on your eyes.
Your eyes should express everything.
So with out shaking your body..
..show me the Navrasam with your face.
Come here.
This is Karunam.
Do it like this.
lt cannot be done so easily as my master could.
You should kindly give me some time.
Brother Bhaskaran! Brother Bhaskaran! - Yes.
What's the matter? Did you find any climax again?
No brother Bhaskaran, Baby Kuttan is coming here.
He just called me.
Gopi Kuttan? - lt's not Gopi Kuttan.
lt's Baby Kuttan, the producer of my film.
He has come. We've to discuss a lot of things.
So l don't have time to make tea.
So you should make tea for us.
He is not aware of this place.
So l am going to pick him up. - Ok.
This is not the right place for a director..
..whose film is going to be a hit.
People should see my movie. Place is not a problem for me.
l stay over there. Come.
l've to attend a marriage of a family friend.
l've to take a print of my last film Prasad lab and sent it to Dubai.
And before that l want to amend my mistake.
Mistake? - Why, haven't you heard this word before?
Yes mistake. - What mistake did Baby Kuttan do?
Come, l'll tell you.
Don't think that just directors can make dramas.
A producer can..
Brother Bhaskaran, this is the one l said..
Yes l understood.. Gopi Kuttan! - What?
Baby Kuttan. He stays in the neighbourhood.
When friends visit, Brother Bhaskaran prepares tea.
Don't think that he is a tea-maker.
Brother Bhaskaran, we've to discuss something.
Yes, l understood, l understood.
So what were you telling? A producer..
Yes, a producer listened to the story.
He liked it and decided to do it.
But didn't pay the advance. That's a mistake, isn't it?
lt's not that l forgot. But we've to see the time too, isn't it?
Now take this.
Baby Kuttan, between us there..
Friendship is different and films are different.
Now take this.
lt's a new film directed by Mr. Pratapan.
l am just coming back from the Pooja.
Weren't you aware of it, Mr. Udhayan?
Your friend Rajappan is the hero of the film.
And l am the heroine.
Mr. Udhayan, the story is excellent.
He is a new fellow. And his name is something like Ajay.
l don't know him. Mr. Udhayan, where are you now?
l am out since morning.
l've to find a couple of houses to shoot.
For which film? - That Madhu, l was about to tell you.
Baby Kuttan liked the screen-play very much which l wrote.
And after waiting for long time..
..work on my first film is going to start.
ls it true? Oh great news!
Sister Laxmi, Mr. Udhayan is going to direct a film. - ls it?
l don't have any shoot till afternoon.
Mr. Udhayan, where are you now?
l am in the Ambedkar Housing Colony.
Stop! Stop! - What to stop?
Stop it! - l am nearby.
You are where in Ambedkar Colony?
Just turn around. - But where?
Can't you see my car?
So you called me from the car. - Yes.
The daughter of my make-up man is not well.
l am going to meet her.
l never knew we were so close.
Didn't they call Mr. Udhayan for the Pooja?
No, l was not aware of it.
Moreover, who'll call a asst. director for the Pooja?
Rajappan could've called you. - He might have forgotten.
l feel really sorry for Mr. Pratapan has made him hero.
He is not a problem. Many times he was awarded..
..for the best actor in his school days.
No, l've seen his small roles in a couple of films.
He'll express only if he is given electric shock.
Won't you allow me to act in your film? - That..
Think it over. Mr. Udhayan, get into the car.
l'll tell you the story of Mr. Pratapan.
lt's a wonderful story.
Madhu, l am really very busy. l've to do lot of things.
l'll see you later. l'll call you. - You are lying.
Sure, l'll call you in the evening. - Ok.
All right Sir. - Thank you.
Udhayan. - Sir.
l wanted to know if you could work with me.
Udhayan, you were in native place, isn't it?
So Pratapan, don't you know that Baby Kuttan's..
..next film is going to be directed by Udhayan.
He has taken the advance too.
Very good, my hearty congratulation.
Thank you Sir, thank you.
lt's very good. You have so many years of experience.
The directors just having the experience of one film..
..are making the producers dance.
Udhayan, you've been in the films since when?
lt's around 10-12 years. - Oh my goodness!
And now the time has come.
Who has written the screenplay?
You know Sir it's my wish to make my film.
.lt's the hard work of so many years.
Baby Kuttan liked it and thus..
Very good, very good. lt's very good if the director can write.
And by the way Rajappan and Udhayan are friends, isn't it?
Yes, l've come to meet Rajappan.
Rajappan is acting as a hero in this film, isn't it?
Rajappan was here somewhere.
To be honest Udhayan, l don't think he can do this role.
The screenplay has really surprised me.
He has written that, l.. - Udhayan!
Come here. Come here.
Who has invited you to come here?
You left the room without saying anything.
l came to meet you twice at your house.
But couldn't meet you though you were inside.
What mistake did l do to you?
You said that l'll never a get a good role.
l'll never forget that.
l don't like to even see you. - Look.. l just joked.
ls this the way to joke?
You stabbed my chest and you are saying that it is a joke.
Now go from here.
''Girl! My girl!''
''Do you have the honey of love on your lips, girl.''
''Eyes! That's my eye!''
''Do you have the moonlight in your eyes, girl''
''Without touching with hands.''
''And without seeing.''
''The sky is a golden plate.''
''l wish to have plate of honey.''
''Girl! My girl!''
''Do you have the honey of love on your lips, girl.''
''You asked for a touch of the lips.''
''And silence is the answer.''
''That you asked for a sweet.''
''And the sweet answered, unknowingly.''
''Don't ask me anything more.''
''Don't ask me anything more, my dear.''
''What's there on your cheeks?''
''Oh my dream beauty.''
''Don't tell anybody what you saw.''
''Don't tell anybody what you heard.''
''Don't break the things that you touch.''
''Girl! My girl!''
''Do you have the honey of love on your lips, girl.''
Udhayan!
Baby Kuttan? - l am still trembling.
Did you read the film news? - No, what happened?
Who is this Ajayan? - Ajayan!
The storywriter of the Sona films.
l don't know, what's the matter?
Some of the reports and.. ..scenes of the film have come in this.
lt's the same scene as that of Udhayan's screenplay.
The same dialogues!- What?
Udhayan, did you give your story to anyone to read?- No.
Nobody else other than Baby Kuttan has read that.
No Udhayan, we've been cheated. l am sure.
But can Pratapan do that?
Come, come.
Sir, l want to talk to you something important.
Can you come inside?
Udhayan, why your face is so dull?
Sir, l'll tell you.
Greetings.
Oh Sorry!
Rajappan has given us the zerox copy of the screenplay.
The original is with Udhayan.
Balan Pillai, l told you that day itself that..
..some well-informed person has written this.
Udhayan, we are innocent.
l am doing films after taking loans from wherever l could.
We understand Udhayan's ordeal.
But if you file a case against this..
..l'll be left with no other way than suicide.
l'll call Rajappan and prove the truth.
Udhayan, l'll pay you something.
Balan Pillai, don't talk nonsense.
Now what is there to prove?
l know what kind of man is Udhayan. - l too know that.
Then we'll give the name of Udhayabhanu.. ..for story, screenplay and dialogues, isn't it?
l've not come here for your money and name.
Don't put the price for my life!
l've toiled very much to write the screenplay.
So can't l make the film now?
How is that possible now, Udhayan? - Enough!
l just want to know that. - Udhayan.
What was noise?
lt was my mistake.
Even after knowing that you are a bad character..
..l allowed you to stay in my house.
But l never expected this kind of cheating.
You've not taken my screenplay..
..but you've snatched my life!
Now will you repeat this to anyone.. move!
Rajappan!
Sit here.
l came to know about it while shooting in Santhom.
Mr. Udhayan, do you remember we met..
..on the road..while coming back from Pooja? - Yes.
That day you didn't wait to listen the story.
lf you had heard it that day.. - Before shooting?
Shooting started after two weeks of the Pooja.
This cheating wouldn't have happened..
..if we had known it that day.
Now what's the use of saying all these things?
But what's the use of beating him? That's what l asked Udhayan too.
Normally, what do we do when there is a theft case?
We go to police or to the court, isn't it?
Brother Bhaskaran, did you do that.. ..when your screenplay was lost?
Just whistling by sitting in the gallery is different..
..and to play a game is different.
l worked on it for months.
My first film, it was my dream. Everything has gone.
One should suffer to understand that pain.
Dear, your father and brother are coming here.
Come here! - Leave me!
l've given you enough freedom.
Now l won't allow this. - l said to leave me! - Come here!
Dinesh, leave her! - Father, don't talk.
l want to know what she has got to do..
..with these scoundrels at night time! Come here!
l won't tolerate it if you spoil the reputation of the family.
Get in!
l've ended everything.
They didn't even give me the consideration.. ..of a human being and tortured me.
l can't live with them anymore.
l left them, but didn't know where to go.
Madhu, what is all this?
How long should l suffer.... for the mistakes l haven't committed?
They think that we are in love.
Come in.
They didn't ask you where are you going..
..while leaving the house?
l may go anywhere, but l told them l'd never come back.
But Madhu, what if they come here again.
And create a scene like last night.
l am already fed up with the gossips written about us..
..in the magazines without any reason.
Madhu, l am already in trauma. You want to trouble me more?
Sorry, l didn't think about that.
You know Madhu l am nowhere.
And don't know what to do next.
l am not in position to share the sorrow of others.
Anyway, they are your own father and brother.
lf you go back, they will not discard you.
lt's better to die then.
Then what are you going to do now? - l don't know.
l don't know.
Hello, wrong number.
No, don't take.
They'll create problem if the door is not opened.
Then father, you go and open it.
l can't talk to them on this shameful topic.
She married that scoundrel, what can we say on that?
Oh God! Please save us from the media!
Look, not a single person will get inside!
You just go out to eat human bodies like vultures!
The wretched hasn't come here after marriage.
And we don't know where she is.
What is your reaction on the incident?
The sky won't fall if l don't react.
lf a girl is going well with her film career..
..some scoundrel will come and grab her.
And it's a routine affair in Malayalam cinema.
Don't be scared. Nobody knows that l've come here.
Just give me some space..
Good and l appreciate.
lt's good that it's arranged in a secret place.
Or else to control the media, we'd have needed police.
Congratulations!
Take this. lt's a gift from me.
What is this?
lt's a marriage gift.
For what? l didn't invite anybody for marriage.
l know.
But l like to act according to the situation.
There are lot of expenditures during marriage.
l just needed Rs. 250 for the registrar office.
And l had it.
Registrar office is not the end of the marriage, isn't it?
Now if you want to go to Ooty or Kodaikanal..
..for honeymoon, it's an expenditure, isn't it?
Sir, l'll come your house before going there!
No problem, take this.
l don't like to see the face of the people..
..responsible for my ruin.
Madhumati! You married without informing us.
Anyway, congratulations. But one thing..
..because you are married, don't leave films..
..like other Malayalam actresses.
We want good characters of Madhu.
Tea. - No, l don't drink tea and coffee.
Best wishes, bye then.
How did he find this place?
Rafiq, come with me.
You know somehow we managed to pay the advance for this room.
For now, there is no other way.
Rafiq, sell this camera and get me some money.
Nobody should know this. - Fine.
All right Udhayan, we are leaving. - Ok.
You've got to do lot of things.
Call me if you need something. - Fine.
Bye dear. - Bye.
Mr. Udhayan, it's only money and gold that can be robbed.
Nobody can snatch one's talent.
Mr. Udhayan can write again. You should write.
You can become a well-known filmmaker.
l thought of asking one thing many times.
Shall l ask you now? - You can ask.
Mr. Udhayan, did you ever feel like love for me?
Madhu, you don't know how much l loved you.
But for the sake of Madhu's prosperity, l didn't express it.
Hello, is this producer? l am Pachallan Bhasi.
l and Rajappan.. no Saroj Kumar..
..is hiding and staying at the same place.
Mr. Saroj Kumar is very anxious.
The film is being released in Kerala today.
The matinee show is finished. Did you get any information?
What? Super hit? Bumper hit?
Oh my God! Bumper hit!
Rajappan! The film is a bumper hit!
Give the money! - Hit! Hit!
What's the matter? - The film is bumper hit, go and see!
Film is bumper hit! Hit!
Yes come in.
Come Udhayan, the train was in time, isn't it? - Yes.
Then freshen up yourself we'll talk after having the breakfast.
Baby Kuttan, when l called you..
..you didn't say anything about the screenplay.
Didn't you like it?
lt's not possible to answer in one word.
First you get fresh, and then we can talk.
That's not important.
When l read Udhayan's first story..
..l knew it was a sure bet.
This.. may be we'd get awards. But that's not our main motto.
l never thought of awards too.
And who wants the approval of these crooked minds.
But l don't want to show.. ..mimicry and ruin Malayalam cinema.
l too don't want that.
But cinema is meant to entertain people.
Which people? - l am not arguing.
l am arguing.
You producers undervalue the cine goers.
Because there are no good movies..
..they watch mimicry and clap hands.
Seeing this, you decide they want low films.
That is not the truth.
The director and heroes which gave them good films once..
..are constantly cheating them now by giving cheap films.
That's why they are clapping hands.. ..after seeing the mimicry, understand.
They'll come back surely to see good films.
lt's good if they come.
We should not waste time talking useless things.
And coming to the point..
..Prasad Chandran's popularity has gone too low.
Then? - ln the film industry, there are no...permanent friends and enemies.
That is what experience taught us, isn't it?
There is a proverb, forget the past and live in the present.
Don't get annoyed.
lf we make Saroj Kumar our hero, everything will be fine.
These days he is very popular.
People are crazy about him.
That's the reason Baby Kuttan has gone against my story.
No.. it's not that.
lf you had said this on the phone..
..l could have avoided a journey.
Does forget the past mean to honour the cheater?
And does living in the present means to do a film..
..l should forget my self-respect and conscious?
This is a post-dated cheque. Somehow l'll put the money..
..in your account in one month.
The advance, which Baby Kuttan.. ..gave me for the first film.
Take this. - Udhayan, between us..
Friendship and films are both different things.
l got to know it.
People will throw stones on the tree, which bear fruits.
He may be someone who is jealous of my prosperity.
l am riding high where nobody else could reach.
And l take it as a proof of that. lsn't that a compliment?
l've given seven hit films in a row.
People love me very much.
And because of this, many of them are sleepless.
They are not just throwing stones, they are giving..
..money to people to shout in the theatres running my film.
But that's not a problem. My fans will reply suitably.
Which are your forthcoming films? - There are many.
l don't remember the names.
Who is directing your films?
Whoever may direct, but it's me who is acting!
My fans just want to see me for two and half hours.
For that l need to dress colourfully.
Change the goggles often.
Couple of heroines should love me.
And nobody notices who the director is.
You said you'd be back in two days. l was bored.
l am fed up discussing with the producers.
Could you succeed? - No.
Why were you annoyed at Baby Kuttan?
Who told you? - Baby Kuttan called here.
And said that you returned the advance.
To return one's money is not annoyance.
We should forget the past and do films with Rajappan..
..that is what Baby Kuttan saying.
Madhu, it's not just Baby Kuttan, all the stupid..
..whom l told the story were saying the same.
Nobody is going to slit my head..
..if l am not going to do the films, isn't it.
The robber Rajappan and that too a hero in my film!
l was watching his interview. lt was fun.
lf l was not in films, l'd have been some..
..doctor or collector or something like that.
Along with the art, l was studious..
..and used to be first in schools and college.
l was the captain of the cricket team and kabaddi team.
And lot of captains. - Then Mr. Saroj..
Switch it of, Madhu. He's simply talking rubbish.
This is better than his films.
Mr, Udhayan, don't get annoyed and see this, come.
l got flu a day a before the lAS exam.
l still remember my father cried.
Do you have any dream character? - Yes, l have.
Which is that? - Karnan.. Karnan, Arjunan..
..Nelson Mandela, Gandhi-ji.
Actor Prasad Chandran too wanted to act as Karnan.
That Karnan is not this Karnan.
Then Gandhi-ji too would be different, isn't it?
When Saroj Kumar does it, it's different.
lt is said that you stole the story of Udhayabhanu..
..and became hero in your first film.
Me? Stole a story!
By the way who is Udhayabhanu?
l am hearing such name for the first time.
Does Udhayabhanu have the calibre of Thakazhi and MT?
Udhayabhanu!
The Malayalam films are in the hands of thief like him.
ldiot! Stupid!
Mr. Udhayan, you should go along with..
For that, you'll not get me!
Do you've the money to honour the cheque..
..given to Baby Kuttan in your account?
Somehow we paid the rent of the house last month.
To do a film according to Mr. Udhayan's wish..
..a producer may come, but till then..
l am also thinking about these things.
There may be some work to do.
Brother Bhaskaran. - Where are you these days?
l called once.
Udhayan had gone to native place, isn't it? - Yes.
Brother Bhaskaran, are you busy?
l want to talk to you about something.
No, l am not busy. Tell me.
The MD of KC Group, Joseph Cherian's brother..
..do you've any connection with him now?
He is a big shot now.
He has 5-6 restaurants in the city.
He is a nice guy, but l've seen him long before.
What's the matter?
l don't think my film will come out soon.
l thought of working as assistant as l used to.
But nobody has the film.
l am not alone now, isn't it?
Can you tell.. Joseph Cherian for a job.. - No problem.
l heard that he deals with..
..out door catering and many other things.
That won't look good for you, Udhayan.
l've to do it. - Then come, there is no need to postpone.
You should've called me.
You were bathing. But l forgot and made tea just for me.
l had it in the morning.
When l saw that, you were sleeping nicely.
Are you not going for the discussion?
Discussion? For what?
That's nice question. Daily morning you get ready..
..and go to discuss the film story.
And now you are asking me what discussion? - That.
Madhu, that story is not going to happen.
What happened? - He went out to conquer the world.
But gradually he lost his soldiers and weapons.
Now life is staring at him and asking the question.
You want the world or food to kill the hunger.
That is the question to deal now.
lf you get the world, then food is not a problem.
Conquering the world is a dream now.
And we need food to survive.
Everything will be all right, Mr. Udhayan.
l knew you were in a bad mood.
Other than asking about the household items
...you rarely talk to me. l came to know the reason now.
These obstacles are for time being.
Everything will be all right and l am sure.
Mr. Udhayan will become a well-known director.
l don't have any hope now.
Since many days l was thinking something.
There are many who do acting even after marriage.
Then why should l sit idle?
Madhu, it was you who decided not to act.
That was because l was fed up doing bad characters.
Did anybody call you for good roles? - No.
Maybe it's because, they think l've stopped acting.
And there is no use of seeing if it's good or bad.
There are many films which we don't like..
..and people like them very much.
You understand things very soon.
You are fed up with this small life, isn't it?
There were lot of fans and lot of people at your command.
Now you are missing the glamorous world, isn't it?
Mr. Udhayan, what are you saying?
Our life belongs to both of us.
And l should do my part, isn't it?
So it's because of that and not because you want to act.
You want to share equally.
And to be more clear Madhu, you are afraid..
..that my income is not sufficient to carry on, isn't it?
The one who can write stories can say that way too.
Then Madhu tell me, how should l say it?
You once got out of the set as the scene was not good.
And now you are telling there is no need..
..to see if the role is good or bad.
Ok, l won't go and act. l'll try for some other job.
No, not now. lf l were a big director and..
..had sufficient money, l'd have allowed it.
lf you do job under these circumstances..
..that will hurt my ego.
Mr. Udhayan, you have these complex too?
Yes, of course.
l never thought. - l'd have said if you had asked.
Madhu, don't take it out what's there inside.
Don't argue and give me peace of mind.
l didn't argue, l was asking opinion..
This is argument! This is an argument!
You are drinking too much. How many did you have?
l saw when you came. But thought not to disturb you.
Do you know me? l am the producer of Chuvanthangi.
Jomon Kandathil.
We've met couple of times. - l don't remember.
But we cannot forget. You are lucky, lucky.
You've grabbed the beautiful actress of Malayalam cinema.
l became a producer to make her heroine in my film.
l am late. But l'll tell you one thing.
A heroine means is the property of in the industry.
And to keep them closed in a room..
..without letting them to act is not a good thing.
lf Madhumati is willing to act, l'll produce film again.
That's my wish. Tell me would you allow her to act again?
l'll give you another offer.
You can direct the film she is acting.
C'mon, l am ready for the arguments.
C'mon, what's your problem?
Tell me everything, one by one.
But l tell you, this is one and only day you can argue.
Here after no arguments. l want peace of mind.
C'mon speak up!
You.. you don't have anything to say.
Ok, then good night.
Don't stare at me like that.
lf l were in America, police would charge the one staring.
You know something..
..l used to drink occasionally to celebrate.
Now l drink for peace of mind. That's the difference.
l had peace of mind when l was alone.
Every time l used to think just about the cinema.
lt has gone. l lost everything!
Everything.. everything.
Everything.
Hello. - l am Madhumati.
Who? - l am Madhumati.
Mr. Udhayan, l came that day without your permission.
The same way l've come from there.
We lived together without understanding each other.
Now we'll not continue, Mr. Udhayan.
You can go your way and l'll go mine, good-bye. - Madhu?
lt's my fault, not her fault.
The girl who lived luxuriously, l closed her in a small room.
Did l give her good food, good clothes?
Did l take her anywhere? No, l did nothing.
l did nothing.
No one can handicap me and go ahead, ridiculous.
What Udhayabhanu?
He can't do anything.
What did he do to Rajappan who stole the screenplay?
God is sending everyone to ruin my life.
l don't have anything left.
There is no cinema.. no family..
l don't have anything left.
Cinema has gone.. my family..
Gone.. she.. has gone.
Udhayan come. Get into the vehicle.
l don't have anything left.
Wash your face and have tea.
Udhayan, have you ever treated me as your friend?
Why are you asking so?
lf so, then l want some freedom to say something.
Liquor won't help you to forget your sorrows.
Liquor just ruins one's life.
Udhayan, do you want to ruin your life?
By all means l am nowhere.
But liquor is not the solution for all your problems.
Udhayan, l thought you were a talented artist.
Creating something and that too with the experience..
..of one's own life, makes him different from others.
lt is through the pain of confronting..
..and resolving problems that we learn.
lt's not my invention. Some thinkers have said this.
You are not the one to be ruined.
l have faith in you.
You should do films. l'll do the financing.
You can give the roles to anyone you like.
Baby Kuttan, are you telling the truth?
Do you have any doubts? We'll make good films.
Udhayan, you'll become a famous director.
But l won't put any conditions.
l must understand that cinema is business too.
l remember you said there are no permanent enemies in cinema.
That's great.
This September?
You want the call sheet of Mr. Saroj Kumar this September!
Mr. Baby Kuttan, you are living in which world?
For next seven years super star Saroj Kumar..
..don't have a single date. Even small kids know that.
lt's just you who don't know that.
And in between, l'll be producing six films.
Everyone is making money out of Saroj Kumar.
Not only that l'll not give date to outsiders after sever years.
Saroj-Pachallan Combined Productions will produce..
..and distribute the films and make money.
l'd like to talk to Mr. Saroj directly.
Directly with Mr. Saroj? That's of no use.
Here everything is under my control.
Look after it carefully it will be another 4 days before l come.
Ok Mr. Baby Kuttan.
l am going to airport in a Benz car. Then good-bye.
Move, move. Security! Security!
Don't crowd, don't get crowd, please.
Baby Kuttan is there. Don't notice him.
Hello Sir. - Key please.
Thanks.
Hello.. Saroj..
This lift is meant only for Mr. Saroj.
The thing is.. - There is nothing.
We'll have something to eat from the restaurant and then go to the room.
Why did Baby Kuttan come?
For dates and not to see the hotel.
Oh! The restaurant is not here it's on that side.
The other day l talked to Baby Kuttan.
l said that there is no date for seven years.
Who is the director? - Whoever it is?
We should not give date to outside producers.
Saroj-Pachallan's Combines is enough.
They will not last long.
Lot of things were written about the last film Mundanikadavattu.
The producer will be ruined.
So it's better to make money as soon as possible.
And for that we should produce the films.
Satellite and overseas everything will be with us.
You look old though you have makeup on.
There are some wrinkles too.
How long can you take the lead role then?
lt's better to start some side business.
What side business?
Something like spices and pickles.
Good evening Sir. - Good evening, evening.
What is there to eat?
What do you like to have? - What?
l asked what you would like to eat.